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KAREN KELTNER
Critical Acclaim
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ACCLAIM: Works of Carlisle Floyd Works of Rossini NY City Opera Debut From around the Country
Cosi fan tutte Pearl Fishers Rigoletto Salome
Flying Dutchman Hansel and Gretel Wozzeck Streetcar Named Desire Thérèse Raquin

When Ian Campbell took over the reins of San Diego Opera in 1983, he encouraged Karen Keltner to accept conducting engagements outside of San Diego. She has done so, to much acclaim, broadening her repertoire to include the beloved operettas and Broadway musicals of her youth.

Her most recent US debut was at the Washington Opera in DC where she conducted "Of Mice and Men" in October 2001. In December, she made her European debut conducting the European premiere of "A Streetcar Named Desire" at the L'Opera National du Rhin in Strasbourg, France.

In recent years, she debuted at Anchorage, Chautauqua, Cincinnati, Opera Columbus, the Eastman School of Music, Glimmerglass, Manitoba, Nashville, the New York City Opera, Philadelphia, Pittsburgh, Sacramento, Seattle, and Utah Opera. She appears regularly at Opera Carolina and the Utah Festival Opera Company. The first woman to conduct at both the Pittsburgh and Seattle Opera, Keltner continues to break new ground, opening doors for women in this still largely male dominated profession.


OF MICE AND MEN by Carlisle Floyd

"Conductor Karen Keltner leads the Utah Symphony in a passionate, colorful performance."
- Catherine Reese Newton, The Salt Lake Tribune 1/18/99

RIGOLETTO by Giuseppe Verdi

"The performance, marking the opening of the company's 37th season, was enriched by the abilities of the guest conductor Karen Keltner..."
- Patricia Tegtmeier, Anchorage Daily News, 11/14/1999

AIDA by Giuseppe Verdi

"An enlarged Syracuse Symphony Orchestra, under the able baton of Karen Keltner, was superb in this, a most difficult and dematic operatic score."
- David Abrams, Syracuse Herald-Journal 10/30/1999

LA BOHEME by Giacomo Puccini

"The orchestra, conducted by Karen Keltner, performed quite well in a performance ripe with nuance and attention to details of orchestration."
- Robert Workman, Winston-Salem Journal 10/2/1999

(See also Keltner debut at the New York City Opera.)

MADAMA BUTTERFLY by Giacomo Puccini

"Holding the entire work together was conductor Karen Keltner, whose careful sense of pace in the important arias was augmented by her overall grasp of Puccini's through-composed structure. She led a fine orchestral effort by the Winnipeg Symphony Orchestra players."
- Winnipeg Free Press, 11/10/98


GIANNI SCHICCHI

"...and with conductor Karen Keltner coaxing warm, nuanced, surging music from the orchestra, the duet soars with emotion."
-Mark Stryker, Dayton Daily News 12/5/93

HELEN OF TROY

"Karen Keltner led members of the Utah Symphony in attractive, never-overbearing accompaniment."
- Catherine Reese The Salt Lake Tribune 5/17/93

"Karen Keltner conducts the singers and Utah Symphony with unfailing fidelity to the genre."
- Dorothy Stowe Deseret News 5/17/93


OPERETTAS & BROADWAY MUSICALS


"I grew up doing operettas in high school - all sorts of Gilbert and Sullivan... I'm guilty of understimating Gilbert and Sullivan operas - you know the British call them 'operas.' Operetta is for Viennese things like 'Die Fledermaus.' Sullivan's music is often taken for granted. I always remember that Sullivan, in spite of his Irish name, had an Italian mother, so he gets the gift of melody from several directions.

Sullivan's music is a perfect combination of light, brilliantly conceived orchestration to accompany the singing, and dense stuff like the finale of Act 2 and the escape of prisoners. I hate to sound Pollyanna-ish, but Sullivan's music is about civility and good manners, something we think less of than the Edwardians did. It's a big chorus show..."

- Karen Keltner



THE YEOMEN OF THE GUARD by Gilbert and Sullivan [Glimmerglass Opera]


"Karen Keltner's conducting helped make some of the small ensembles particularly affecting."
- Heidi Waleson, WSJ 8/1/95

"Karen Keltner conducted a musically supple performance."
-Anthony Tommasini - NY Times, 7/26/95


CAROUSEL

"The star of UFOC's production of Rodger's and Hammerstein's greatest triumph is the large pit orchestra, under the able direction of Karen Keltner. It sounded like they had squeezed an entire symphony orchestra under the stage."
- Deseret News, 7/20-21/1999

"And it is served up with gusto and theatrical flair by this company, under the skilled leadership of Karen Keltner."
- William S. Goodfellow, Salt Lake Observer Jul 30-Aug 12, 1999

I DO! I DO!

"...and Karen Keltner, by now a familiar face at the Utah Festival, brought years of experience, impressive professional credentials and an intimate knowledge of this show to her conducting of the opera orchestra company."
- The Herald Journal, Logan Utah 7/20/99

Photo:© Ken Howard


A DETAILED KELTNER BIOGRAPHICAL PROFILE

FRONT PAGE PROFILE AT WORK RECENT WORKS ACCLAIM REPERTOIRE PRESS RELEASES


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